Reading
from the 175 pages 8 ½ by 11 manuscript of 68,717 words
Manticore
Press, 2019
“It will be
“zombie” enough until the full zombie emerges from the lab of some bored
genetic engineering PhD student with mental health issues.”
The quote
above is an excellent early example of the author’s sardonic humor.
The
following quote is an example of his insightful view of modernity.
“With the
“death of God,” that is, secularisation and the loss of the social significance
of the transcendent in the life of the West, only consumer affluence and
materialism function as social glues, holding the whole experiment of
multiracial/multicultural modernity and postmodernity together.”
The
four-chapter structure of Zombie
Apocalypse Now is crowned with a savagely articulate measure of reality in
the form of a take-it or bleed-out blackpill. This advice is introduced through
the very entertaining medium of Post-Apocalyptic movie reviews, making it
accessible to the possibly exospective media drone, beginning with:
“Many of the political Left have
expressed opposition to survivalist ideas and its core philosophy, even while
accepting that a collapse of techno-industrial civilization is coming. American
ecological writer and former Grand Archdruid of the Ancient Order of Druids in
America, John Michael Greer, has been critical of survivalism in his books The Long Descent: A User’s Guide to the End
of the Industrial Age and The
Ecotechnic Future: Envisioning a Post-Peak World and other writings.”
The author
makes no bones about the fact that the cultural Left and Right are both only
woke to particular aspects of societal collapse and that individual- or
family-level preparations for surviving emergencies are actually regarded as
unethical and near lunatic by most modern authorities, with numerous media
resources for charting collapse and bug out locations.
If you have
dependent non-combatants and even if you plain don’t give a shit and want to
stack up more zombie twats than the next deplorable, Zombie Apocalypse Now is a must read.
(c) 2019 James LaFond
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